At the moment, my studio is the dining room table — a petite island of brushes, glue and half-baked studies. I’m still working in mixed media, using textures that make a piece feel lived-in before it arrives, but on a smaller scale.

We carry around a peculiar set of luggage, neatly packed with a book of rules and a bundle of beliefs. One such belief is that emotions are either good or inherently bad. This duality is the foundation of our emotional conditioning, but like many of our inherited truths, it's just another fable.

These are my latest flower studies and perhaps my last for a while. I've been working on some new ideas, which may include flowers, but they won't be the main focal point.

Every artwork has a story. Some take unexpected detours, while others circle back to where they began. This is one of those stories.

The portrait of Kurt Cobain is in the style I’ve recently returned to in my current work.

I try to emulate traditional methods when painting digitally, for example, using grainy pencil brushes to create hand-drawn elements.

Who doesn't love a good story? Storytelling in art is as old as the human race itself. It's the caveman's version of Netflix.