At the moment, my studio is the dining room table — a petite island of brushes, glue and half-baked studies. I’m still working in mixed media, using textures that make a piece feel lived-in before it arrives, but on a smaller scale.

There’s a library inside you. Some of the books were gifted, others forced into your hands. This is a story about remembering who wrote them, and who didn’t.

I try to emulate traditional methods when painting digitally, for example, using grainy pencil brushes to create hand-drawn elements.

Who doesn't love a good story? Storytelling in art is as old as the human race itself. It's the caveman's version of Netflix.